The opening titles seamlessly unfolded over the footage, employing a straightforward type design that aimed to evoke the ominous essence of the world about to be explored. The chosen typeface featured angular corners, steering clear of serif fonts, and incorporated the red and white colors reintroduced in the end credits.
These distinctive hues, deeply rooted in Bengal, served a dual purpose: not only did they pay homage to the region's cultural identity, but they also worked in tandem to evoke the visceral, artistic, and somewhat macabre texture inherent in both the film's narrative grain and visual language.